themodernphotog.com The Modern Photog

themodernphotog.com
Title: The Modern Photog
Keywords: photography,professional photography resources, photography tips, modern photography, photography lessons,professional photography,professional photographer, photography resources
Description: This site is about arts and entertainment.
themodernphotog.com is ranked 26546134 in the world (amongst the 40 million domains). A low-numbered rank means that this website gets lots of visitors. This site is relatively popular among users in the united states. It gets 50% of its traffic from the united states .This site is estimated to be worth $1,892. This site has a low Pagerank(0/10). It has 1 backlinks. themodernphotog.com has 43% seo score.

themodernphotog.com Information

Website / Domain: themodernphotog.com
Website IP Address: 23.229.197.99
Domain DNS Server: ns58.domaincontrol.com,ns57.domaincontrol.com

themodernphotog.com Rank

Alexa Rank: 26546134
Google Page Rank: 0/10 (Google Pagerank Has Been Closed)

themodernphotog.com Traffic & Earnings

Purchase/Sale Value: $1,892
Daily Revenue: $5
Monthly Revenue $155
Yearly Revenue: $1,892
Daily Unique Visitors 477
Monthly Unique Visitors: 14,310
Yearly Unique Visitors: 174,105

themodernphotog.com WebSite Httpheader

StatusCode 200
Content-Type text/html; charset=UTF-8
Date Wed, 17 Aug 2016 15:53:42 GMT
Server Apache/2.4.18

themodernphotog.com Keywords accounting

Keyword Count Percentage
photography 8 1.04%
professional photography resources 0 0.00%
photography tips 1 0.19%
modern photography 0 0.00%
photography lessons 0 0.00%
professional photography 0 0.00%
professional photographer 0 0.00%
photography resources 0 0.00%

themodernphotog.com Traffic Sources Chart

themodernphotog.com Similar Website

Domain Site Title

themodernphotog.com Alexa Rank History Chart

themodernphotog.com aleax

themodernphotog.com Html To Plain Text

The Modern Photog Home Photography Marketplace Privacy Policy How to use a stabilizing gimbal like a boss By admin on Monday, August 15th, 2016 | No Comments Stabilization gimbals are a big thing now (My guess is that they be the most commoditized item at the upcoming photokina show). I mean you can get a decent gimbal for as low as $200 for an action cam/phone or $700 for a mirrorless camera. Those used to cost thousands just 3 or four years ago. But even the best gimbal still needs to be used correctly to get the best out of it. This DSLRguide episode has 10 tips to master your gimbal. Some of the tips revolve around making sure that you get the smooth movement you wanted to. Walking with bent knees is quite known, but have you ever thought of using a bicycle to get smooth movement? It quite clever. Other tips concern squeezing every second from your gimbal, like making the camera is light as possible. And several clever tips about keeping the camera leveled while changing batteries and how to put the gimbal away easily. [DSLRguide via iso1200] Posted in Arts and Entertainment | Tags cinematography, gimbal, Tutorials | Leave a comment Why Semi-automatic Mode is the Best Choice for Wildlife Photography By admin on Sunday, August 14th, 2016 | No Comments There is a mindset that a lot of photographers seem to have around anything but manual mode is cheating. Not only does this frustrate me as a statement, but it’s just bad advice, that hinders the photographic progress of others. I would argue that there’s no cheating in photography, and that using your camera in fully manual modes actually makes it harder to achieve the photo you’re looking for – so let’s take a look at why semi-automatic modes are a good choice for wildlife photography. Tracking this puffin in flight, I’d never be able to change the settings quick enough if I was in full manual mode. Now I’d never recommend anyone use full automatic modes. They are a pain in the backside, to be frank. The camera focuses wherever it sees fit, seemingly changing its mind on a day to day basis. The setting are often wrong, since you have no bearing over how the exposure triangle is balanced (other than a little bit of exposure compensation). For wildlife photographers, this is a pretty poor choice of mode. However, what I do recommend is that you run with a semi-automatic mode. Because with wildlife, everything is so unpredictable that there is little chance you can spin the wheels, and react to changing conditions fast enough in manual mode. Picture this: you’re photographing an eagle swooping down from the sky to catch a fish from the water. It’s moving through many different ambient light conditions, from looking up towards the sky, all the way down to the water, and away again. You can’t accurately change the settings quick enough. Northern Gannet So what can you do? Use a semi-automatic mode. It’s definitely not cheating, and is a choice favoured by almost all wildlife photographers in the industry. It’s not to say that we can’t run the camera in manual mode – and that’s definitely something you should learn to do – but rather that there is no point putting such a simple task as adjusting the shutter speed, in the way of you composing a stunning wildlife image. Choosing a semi-automatic mode There are a few choices you can make here when it comes to semi-auto modes. Let’s take a look at the best choices. Aperture Priority Mode This is my personal favourite. Aperture priority mode allows you to set the aperture you require, leaving the camera to adjust the shutter speed automatically, in order to balance the exposure. You can increase your ISO should the light become a limiting factor, letting the camera increase the shutter speed as a result. But you still have total control really, because all you need to do is adjust your exposure compensation to fine-tune the resulting photo. Exposure compensation allows you to retain control and properly expose a photo, even in a partly automatic mode. A wide aperture often favours wildlife photographs, as it allows for a nice, soft bokeh, that isolates the subject from the background. This is what often gives a wildlife image a sense of quality, although I am a big believer in breaking the rules and actually including the background in your shots. For this reason, aperture priority often makes sense as you are able to control the setting that can make or break a photo. Shutter Priority Mode This is definitely not the mode you want to be in, if you’re going to involved in wildlife photography. Chances are you’ll be setting your shutter speed high – and probably too high at that. Wildlife is most active at dawn and dusk, and while you may find it relatively easy to see, it is surprising how little light is available to the camera, especially if you’re shooting with a lens slower than f/2.8. With a shutter speed dialed down, the camera only has so far it can go in increasing the aperture before the photo starts to become underexposed. Conversely, with aperture priority mode there is no real limit to how fast or slow the shutter speed can go – the worst thing that may happen is you get a blurred image, although this can sometimes come off artistically. Note: Stay away from shutter priority mode for wildlife photography! Two hooded crows engaged in a scrap. Manual Mode with Auto ISO This is a popular choice amongst wildlife photographers too, although I have yet to use it myself. By sticking the camera into manual mode, but leaving the ISO set to automatic, you retain control over both aperture and shutter speed, allowing the camera to adjust the ISO to balance the exposure. Personally, I like to have control over the ISO, as I feel this can ruin an image. This mode does allow you to ensure you have the desired aperture and shutter speed for proper effect, but consequently you may not notice that your ISO is increasing quickly as light conditions drop. The worst thing to find is a photo that looks fantastic on your camera’s LCD, until you return to your studio and find it is peppered with digital noise. Even so, getting into a good habit of checking the ISO settings periodically during a shoot, will mean this is no longer a problem. With experience you’ll learn what the limits tend to be for certain ambient conditions, before the ISO gets ramped up. You still have full control in semi-automatic modes, allowing you to achieve more unusual images. You also still retain the ability to use exposure compensation while ISO is set to auto. This allows you to fine-tune the exposure, just like with aperture and shutter priority modes. So which mode should you use? Now we’ve looked at three different semi-automatic modes you’re probably wondering which you should go for? Well, you know what I think about shutter priority mode. Other than that, it’s essentially up to you. If you want to be entirely confident in your aperture and shutter speed, then opt for manual with auto ISO. Thanks to a semi-automatic mode, I was ready for action when this woolly monkey surprised me in the Amazon rainforest. Manual mode would have rendered my efforts useless in such a fleeting moment. If, like me, you find the prospect of an unacceptably high ISO speed creeping up on you, then stick to aperture priority mode. Professionals use both modes, and either can result in great success with the right photographer behind it. It’s just getting used to the mode of choice, and playing to the relative advantages each one brings with it. You’re going to feel the limitations of either mode as light drops, but I always say that a slightly blurred image (or risk of one from a slow shutter speed) is better than a photo rendered unusable thanks to digital noise. Posted in Arts and Entertainment | Tags Photography Tips and Tutorials | Leave a comment Page 1 of 55212345Next ?Last ? Search for: RSS How to use a stabilizing gimbal like a boss August 15, 2016 Why Semi-automatic Mode is the Best Choice for Wildlife Photography August 14, 2016 Pages About Marketplace Privacy Policy Archives August 2016 July 2016 June 2016 May 2016 April 2016 March 2016 February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 September 2013 August 2013 July 2013 Categories Arts and Entertainment (1,104)

themodernphotog.com Whois

Whois Server Version 2.0
Domain names in the .com and .net domains can now be registered
with many different competing registrars. Go to http://www.internic.net
for detailed information.
  Domain Name: THEMODERNPHOTOG.COM
  Domain ID: 1871533297
  WHOIS Server: whois.godaddy.com
  Referral URL: http://www.godaddy.com
  Updated Date: 2015-08-18T14:37:26Z
  Creation Date: 2014-08-18T02:50:48Z
  Registry Expiry Date: 2016-08-18T02:50:48Z
  Sponsoring Registrar: GoDaddy.com, LLC
  Sponsoring Registrar IANA ID: 146
  Domain Status: clientDeleteProhibited https://icann.org/epp#clientDeleteProhibited
  Domain Status: clientRenewProhibited https://icann.org/epp#clientRenewProhibited
  Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
  Domain Status: clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited
  Name Server: NS57.DOMAINCONTROL.COM
  Name Server: NS58.DOMAINCONTROL.COM
  DNSSEC: unsigned
>>> Last update of whois database: Mon, 20 Jun 2016 04:06:39 GMT <<<
For more information on Whois status codes, please visit https://icann.org/epp
NOTICE: The expiration date displayed in this record is the date the
registrar's sponsorship of the domain name registration in the registry is
currently set to expire. This date does not necessarily reflect the expiration
date of the domain name registrant's agreement with the sponsoring
registrar. Users may consult the sponsoring registrar's Whois database to
view the registrar's reported date of expiration for this registration.
TERMS OF USE: You are not authorized to access or query our Whois
database through the use of electronic processes that are high-volume and
automated except as reasonably necessary to register domain names or
modify existing registrations; the Data in VeriSign Global Registry
Services' ("VeriSign") Whois database is provided by VeriSign for
information purposes only, and to assist persons in obtaining information
about or related to a domain name registration record. VeriSign does not
guarantee its accuracy. By submitting a Whois query, you agree to abide
by the following terms of use: You agree that you may use this Data only
for lawful purposes and that under no circumstances will you use this Data
to: (1) allow, enable, or otherwise support the transmission of mass
unsolicited, commercial advertising or solicitations via e-mail, telephone,
or facsimile; or (2) enable high volume, automated, electronic processes
that apply to VeriSign (or its computer systems). The compilation,
repackaging, dissemination or other use of this Data is expressly
prohibited without the prior written consent of VeriSign. You agree not to
use electronic processes that are automated and high-volume to access or
query the Whois database except as reasonably necessary to register
domain names or modify existing registrations. VeriSign reserves the right
to restrict your access to the Whois database in its sole discretion to ensure
operational stability. VeriSign may restrict or terminate your access to the
Whois database for failure to abide by these terms of use. VeriSign
reserves the right to modify these terms at any time.
The Registry database contains ONLY .COM, .NET, .EDU domains and
Registrars